Fiddle: Marcos Paz
Viola: Rocío Duette
Piano: Lucio Talarico
Clarinet: Roberto Gutiérrez
Violoncello: Sebastian Powter
On this date two works will be interpreted for trio, from Beethoven and Brahms. First, The trio for strings in Do minor, Op. 9 N.º 3 The Beethoven, It belongs to your early period. During these initial years, Chamber music was an experimentation space that laid the foundations for its future symphonic developments. The op trios. 9, originally conceived for violin, Viola and cello, They represent an important step towards compositional maturity that would later be expressed in its first strings quartets. Even in the case of an early work, Beethoven's personal imprint is already clear.
The trio in the minor, Op. 114 brahms, written for clarinet, cello and piano, It corresponds instead to its last creative stage. Composite in 1891, After the composer thought about retiring, The work marks his return to musical writing thanks to the inspiration produced by the meeting with the great clarinetist Richard Mühlfeld. He went to the whom Brahms dedicated five camera works, Among them this trio.
These two works propose us to experience the dawn of romanticism raised by Beethoven and one of their fullest moments written by Brahms. Two different looks, Two personal languages, United for the mastery of two of the greatest composers in history.
Program:
Beethoven, Trio in Do Minor Op. 9 N. 3
Fiddle: Marcos Paz
Viola: Rocío Duette
Violoncello: Sebastian Powter
(Brief pause to rearrange)
Brahms, Trio in the youngest op. 114
Piano: Lucio Talarico
Clarinet: Roberto Gutiérrez
Violoncello: Sebastian Powter
Approximate duration: 65’