Silvia Hopenhayn (reports + performance)
Guillo Espel (guitars, piano and tapes)
Oscar Albrieu Roca (Vibraphone and percussion,,es,Guest / s,,gl,Guadalupe Farías Gómez,,es,Ignacio Svachka,,es,Xylophone and percussion,,es,Coti Moroni,,en,Clarinet Bb,,es,Guillo Espel cuarteto begins to present unpublished material that will be part of its new production,,es,They will listen to music included in their four previous albums and on the DVD,,es,Live,,es,the composer and guitarist works from an expansive proposal in his discourse and interpretation of folk-root music,,es,related to academic composition techniques,,gl)
We return to our corelat or sound intrusion on Macedonian
Musical and literary exploration through the texts of Macedonio Fernández found in "Notebooks of everything and nothing", in search of what the author called “conciential Belarte”, that is to say, the emotion of thinking. The word that is presented and not that represents (not fixed, link); the music that affects, induce, not only accompanies. a different link, possible encounters, and reading an unpublished text.