Ernesto Snajer is the organizer of this concert series-talks open,,es,in which he will share music with guitarists he admires,,es,Snajer will open the evening,,es, en el que compartirá música con guitarristas a quien admira.
All it raised in an intimate atmosphere in which the guitar will be the link between artists who travel very different genres.
Snajer abrirá la velada, will continue with a set only guest / a.
Then, host and guest duo will perform music specially prepared for the occasion.
For closing, the public can participate talking (and because not playing) with musicians, in an open talk will be about music,es, styles, guitars, and any issues you want to address.
Almir Côrtes' guitar brings a lot of music from the northeast of Brazil,,es,especially from the region where he was born and was created,,es,the Bahia Recôncavo,,pt,Traces of popular practices with samba de roda and baião have a strong presence in pieces of their repertoire,,es,such as its composition called Desapego,,es,his arrangement of the emblematic Express,,es,Gilberto Gil,,pt,and in his reading of the work Saudade n.3,,es,Roland Dyens,,en,At the same time,,es, especialmente de la región donde nació y fue creado, el Recôncavo baiano. Los trazos de prácticas populares con el samba de roda y el baião tienen presencia fuerte en piezas de su repertorio, tales como su composición llamada Desapego, su arreglo de la emblemática Expreso 2222 (Gilberto Gil) y en su lectura de la obra Saudade n.3 (Roland Dyens).
Al mismo tiempo, his experience in the southeastern region of the country and the study of the bandolín gave him great experience with the choro,,es,expressive instrumental genre of Brazil,,es,His interpretation of Choro n.1,,es,Villa Lobos,,es,and his arrangement of music Among thousand,,es,you,,pt,Jacob do Mandolin,,pt,point more to the traditional side of the choro,,es,while his interpretation of Lamentos del Morro,,es,Boy,,pt,y In menor,,id,show the most contemporary side of the genre,,es,Snajer and Almir Cortés,,es, género instrumental expresivo de Brasil. Su interpretación del Choro n.1 (Villa-Lobos) y su arreglo de la música Entre mil … você! (Jacob do Bandolim), apuntan más al lado tradicional del choro, mientras que su interpretación de Lamentos del Morro (Garoto) y Di menor (Ginga,,pt,years of musical career,,es) muestran el lado más contemporáneo del género.